Nantes, FR, 1894 - Saint Helier, Jersey Island, UK, 1954
Claude Cahun was a Surrealist artist who, together with her half-sister and life partner Marcel Moore, anticipated discussions on topics of extreme relevance in contemporary society, such as gender and identity. In her practice she used a variety of media: photography, writing, collage, sculpture, disguise, transformation, performance and theatre.
The majority of her works are part of the collections of the Musée d'arts de Nantes (France) and of the Jersey Heritage (UK).
Born in 1973 in Edinburgh, UK. Lives and works in London, UK.
Gayle Chong Kwan is a London-based artist, whose large-scale photographic installation, sound, participatory, and video work is exhibited nationally and internationally, both in major galleries and in the public space.
Her work is an ongoing investigation into simulacra and the sublime, which she explores through constructed immersive environments and mises-en-scène. The personal and global politics of food and tourism is a major focus of her practice that is often specific to a context and linked to the exploration of histories, memory and senses. The artist's pieces take the viewer on a journey across countries and civilizations, exploring the relationship between food and culture, and underlying the importance of waste in giving measure to our lives.
Born in 1972 in Ardèche, France. Lives and works in Paris, France.
The practice of Marie Denis focuses first and foremost on an object and how it may potentially be reinvented. Marie Denis' work is also concerned with botanical principles. Her installations and sculptures are designed from raw materials and other objects diverted from their typical anchors in culture.
She likes to circumvent the rules to realize her work, which is often sculptural: a vegetable path that "kaleidoscopes" the idea of nature, its beauty and fragility.
Born in 1982 in Naples, Italy. Lives and works in Paris.
Romina De Novellis is a performer, visual artist and researcher, born in Naples and grown up in Rome, active in Paris since 2008.
After several years dedicated to dance and theater, Romina De Novellis has approached performing arts, studying the body both from an anthropological viewpoint and from the perspective of Mediterranean cultures.
The artist uses ecofeminist theories as a parameter to analyze and denounce the oppressive realities of our societies, as well as the dichotomies nature-humanity, femininity-masculinity, North-South, scientific-intuitive, power-bodies and establishment-cultures. Traces of her performances are collected in form of polaroids, photos and videos. Romina De Novellis also pursues her anthropological research academically, with a PhD in anthropological studies at the EHESS in Paris.
Born in 1975 in Rijeka, Croatia. Lives and works in Rijeka, Croatia.
"Igor Eškinja constructs his architectonics of perception as ensembles of modesty and elegance.
The artist ‘performs’ the objects and situations, catching them in their intimate and silent transition from two-dimensional to three-dimensional formal appearance. Using simple, inexpensive materials, such as adhesive tape or electric cables and unraveling them with extreme precision and mathematical exactitude within strict spatial parameters, Eškinja defines another quality that goes beyond physical aspects and enters the registers of the imaginative and the imperceptible.
The simplicity of form is an aesthetic quality that opens up a possibility for manipulating a meaning. It derives, as the artist states, from the need for one form to contain various meanings and levels of reading within itself. The tension between multiplicity and void constitutes one of the most important aspects of Eškinja’s mural ‘drawings’ and seemingly installations. A void is still an active space of perception; it does not conceal; it comments on the regime of visibility, it invites the viewer to participate in the construction of an imaginary volume in an open space.
The temporary nature of the artist’s spatial structures and the ephemeral quality of his carpets (where ornaments are carefully woven out of dust) manifest a resistance to the dominant narratives of institutional apparatus and socio-political order." - Adam Budak
Born in 1983 in Trento, Italy. Lives and works in Trento (Italy) and Prague (Czech Republic).
His theoretical and field research unfolds in archival and museum contexts, from which he draws inspiration with the aim of enhancing little-known heritage. His practice develops at the intersection of visual art and scientific disciplines, investigating how the latter have used the artistic medium to progress. Through historical and archival research, he attempts to deconstruct the binary condition that separates deviance and normality, reflecting on the normative attributions of disease, marginalization, and categorization in contemporary society.
By using different forms of expression, from installation to photography, from sculpture to video, Fogarolli’s works stimulate critical thinking on the relationship between mind and brain, reflecting on how the functional processes of the latter interact with the subjective ones of the mind, and investigating how these acts of thought develop into behaviors considered lawful or prohibited.
Born in 1975 in Buenos Aires, Argentina. Lives and works in Buenos Aires, Argentina.
Luciana Lamothe's work revolves around the dialect of construction and destruction, a research that she articulates between the poles of architecture and spaces, forms and function.
Her proposal is to find paths where these contradictories ideas come together and arrive at one same result. The process which enables the construction of a form is the same one that creates the destruction of the materials.
In her sculptures, the formal complexity expresses the function, and the simple fact of walking becomes a complex act. Her interest in the ambivalence of the materials in terms of strength and ductility can be clearly perceived. The materials she works with belong to the world of construction; they're solid, resistant and durable, but when all physical pressure is withdrawn, they may become soft and elastic.
Lamothe's work extends into sculpture, assemblage, and installation, and joins the aesthetics of vandalism to the legacy of conceptual artistic practice. Her work interrogates the dialectical relationships between construction and destruction, the social and the anti−social, and −possibly unintentionally − the revolutionary and the merely destructive. Lamothe's interest in spaces and their constituent elements used to construct them also reveals a concern for materialism.
She considers her visual art, and subsequent gateways, to be an attack of the excesses of consumerism and materialism in modern Argentinean society.
Born in 1984 in Saint Junien, France. Lives and works in Lille, France.
In her work, French artist Marie Lelouche questions space and volume. Interested in the evolution of forms in their sociocultural context, she participated in multiple residency programs in France, Italy and South Korea. She also developed several community projects in Amazonia and Siberia, and collaborated with scientists, artisans and engineers.
The practice of displacement, whether in her travels or even within the creative process, remains a key aspect of her work.
Born in 1964 in London, UK. Lives and works in Los Angeles, USA.
Marcos Lutyens’ artistic practice targets the psychic and emotional well-being of his audiences by skillfully leading participants in hypnotic exercises that affect the deepest levels of their psyche. His works take form in installations, sculptures, drawings, short films, writings and performances.
In his explorations of consciousness, Lutyens has collaborated with celebrated neuro-scientists V. Ramachandran and Richard Cytowic, as much as studying under shamans from different cultures. From these investigations and research he has worked with visitors’ unconscious states in museums, galleries and biennales around the world.
During the pandemic, Lutyens created a series of 12 zoom performances to help the healing process of people in various countries around the world, and he is still working on the national scale Covid-19 artwork Rose River Memorial, which has been exhibited at various sites around the US including the Orange County Museum of Art, LA.
Born in 1975 in Sofia, Bulgaria. Lives and works in Sofia, Bulgaria.
Deconstructing the usual chain reaction of actions and facts, and judging and analyzing them in a playful way, Moudov underlines the ambiguity of the real and the inadequacy of our instruments of the interpretation.
Ivan Moudov provides a critical and corrosive analysis on political and social conventions, as well as individual behaviour.
His artistic practice comprises photography, video, performance, and installation. In his work, he questions the field of contemporary art within the system of power as well as the sociopolitical and economic conditions. Furthermore, by subverting the existing norms and rules, he aims at revealing the levers of their functioning.
Born in 1945 in Judenburg, Austria. Lives and works in Vienna.
Fritz Panzer is a Wien-based artist. All throughout his career, Fritz Panzer has followed the same approach in his works with different media. In the 70s Fritz Panzer started creating sculptures that were replicas of furniture and objects on a scale of one to one.
His work offers an interesting experience that asks the viewer to rely on their own memory and recognition to complete the works, referring to outline drawings and to gestural drawings creating the volume of an object through his total silhouette.
New spaces come into being, in which the artist makes an escalator, stepladder or desk grow out of the world and likewise into it, holding them poised between visibility and invisibility. Panzer gives us the lines and our minds will create volume by presenting, for example, his wire works, including the "Pianino" (2010), as well as several drawings and paintings. In the words of Sarah Heigl in 'The Walk in Drawing': "We have two objects in front of us, which do not complete nor exclude each other, who are no more or not yet the Other (Roland Barthes). (...) By extending the drawing into three dimensions, the creation of the 'walk-in drawing', our impression is reinforced to be dealing with objects dwelling an intermediate world."
Born in 1964 in Venice, Italy. Lives and works in Venice, Italy.
Graduated from the Accademia delle Belle Arti of Venice in 1987, Michelangelo Penso has been exhibiting his works in private galleries and public institutions. Specialized in sculpture, installation and drawing, he has always been interested in various materials. His latest works, developing a new concept of sculpture, are composed of materials of industrial origin, such as rubber and polyester belts or pieces of aluminium and steel: genetic structures expanded to fill a real space.
Born in 1989 in Cittadella (Padua), IT. Lives and works in Turin, IT.
Davide Sgambaro’s research explores existential issues relating to the condition and role of the artist and art world in contemporary precariousness. Using different media, that range from installation to photography, from sculpture to video, the artist gives life to caustic narratives as a response to the disparities of contemporary world through ironic forms. Drawing on childhood imagery and adopting a playful and irreverent attitude typical of childhood, Sgambaro activates survival mechanisms to imagine a new utopia. In this direction, his works reveal and exorcise beliefs, fears and distortions inherent in the social and cultural order.
Born in 1979 in Gorizia, Italy. Lives and works in Monfalcone, Italy.
Michele Spanghero is a sound and visual artist. His research focuses on acoustic art (declined in the form of music or sound art) and on visual art in the attempt to find a natural synthesis between these two forms of expression. His research is versatile, yet consistent enough to receive the mention as 'Best young Italian artist' in 2016, according to Artribune magazine.
The methodological approach characterizes his work through a continuous survey of the limits of the media: through the study of music and theater, he has indeed acquired an oblique approach that, usually starting from the sound, becomes instinctively tangential to visual art.The creative act is developed by a reaction to the accumulation of information that surrounds us. From this (formless because always mediated) mass of data, the impulse to research and test a new semantic system of the pre-existing matter begins.
Born in 1974 in Schlanders, Italy. Lives and works in Vienna, Austria.
Esther Stocker's work consists mainly of paintings and installations in an abstract and geometrical perspective, the two genres being closely related to each other. The artist's installations are three dimensional projections of her paintings, exclusively made with a limited palette of black, grey and white. Could they be described as spatial, sculptural paintings or rather as pictorial spaces?
Her research focuses on vision and perception of space with a social and contemporary approach. The creation of her pieces is connected to a highly elaborated mathematical discourse, an essential part of her artistic method. The artist's reflection is focused on the question: "How is a perfect system actually imperfect?". Her geometric structures are based upon eternally self-repeating modules that create a seemingly ordered visual rhythm, to which she adds aberrations in order to generate an adjacent but new rhythm. This introduction of deviation in the optical balance creates surprise and emotion through the purposeful disruption of order and plane dimension.
"In my paintings, sculptures and installations I try to describe the ambiguity and uncertainty of the system. I use the precision of a system to investigate the system itself. I try to release and abandon our ways of seeing and understanding that are associated with the recognition of forms and that distinguish us from each other, sometimes unconsciously."
Born in 1973 in Beja, Portugal. Lives and works in Paris.
Graduated from Villa Arson, Vilhena practices drawing and painting from a neoconceptual position. His work is and has always been, led by the interest he takes in the role of the beholder. For the artist, a work is made by the look upon it, which activates it and creates its meaning. A virtuoso of the pencil and the word, João Vilhena feints, hides, substitutes, and disguises without ever unveiling what lies beyond. To this purpose, he uses different means like optical illusions, trompe l'oeils or anamorphoses, as well as works' titles spoonerisms, anagrams, and other word games.